Can a female character be a “brilliant, solitary, abrasive, Bohemian, whimsical, brave, sad, manipulative, neurotic, vain, untidy, fastidious, artistic, courteous, rude, polymath genius”? Well, I don’t see why not, and nor does Sophia McDougall at the New Statesman.
That a female character is allowed to get away with behaviour that, in a male character, would rightly be seen as abusive (or outright murderous) may seem – if you’re MRA minded, anyway – an unfair imbalance in her favour. But really these scenes reveals the underlying deficit of respect the character starts with, which she’s then required to overcome by whatever desperate, over-the-top, cartoonish means to hand.
Another essay on the subject comes from Carina Chocano in the New York Times.
“Strength”, in the parlance, is the 21st-century equivalent of “virtue”. And what we think of as “virtuous”, or culturally sanctioned, socially acceptable behavior now, in women as in men, is the ability to play down qualities that have been traditionally considered feminine and play up the qualities that have traditionally been considered masculine. “Strong female characters”, in other words, are often just female characters with the gendered behavior taken out.
The movie really brings home (especially through the song lyrics, which are just PERFECT) that this Good Girl / Bad Girl dichotomy is damaging to Elsa, and the only way she can really be free is to reject them both. She doesn’t need to be (and fundamentally can’t be) a perfect good girl, but she won’t find freedom by moving over to the bad girl stereotype offered to her by a restrictive society. She’s only free when she throws both of them in the trash.
Also amazing, and very rare: a cursed girl saves herself.
Strong female character? Perhaps.
There’s no other music video quite like this one from A-ha, is there?
(Also, that boy is cute.)
I’ve mentioned this awesome song by Jonathan Coulton before, when I linked to a video showing schoolkids’ drawings based on the song. And now there’s the wonderful possibility of an illustrated children’s book based on it. Yes!
One of the things I like about this song is that the princess is a hero while being feminine, or not, as she wishes. She never wore socks, but she did wear a silver dress. She did what she wanted to. The illustration for the proposed book shows her wearing a pink dress over torn jeans, which captures the spirit perfectly.
I really do know nothing about Morrissey. I don’t know that I’ve ever heard his music. Apparently, it’s powerful stuff, and Morrissey himself is a powerfully controversial figure, whose public statements are often deeply problematic and at contrast with the nature of his work. This is a very good article, and it’s an interesting look at our interaction with and appreciation of problematic art, but I’m linking to it also because the writing is awesome:
I don’t know Morrissey’s motivation for writing the Smiths tune “Accept Yourself,” in which he sings “Anything is hard to find, when you will not open your eyes, when will you accept yourself?” I may never know what he intended when he wrote “Dial-a-Cliche,” but I know when I heard the lyric “You find that you’ve organized your feelings for people who didn’t like you then and don’t like you now,” it made me consider how, in remaining closeted, I was performing for an audience most of whom hadn’t paid a dime to get into the show.
Wow. Now that is art.
Remember that eruption in Iceland, and the ash clouds which covered Europe, grounding all air traffic? I do. I was travelling to England at that time. It didn’t affect my travel plans — I always go by Sail&Rail anyway — but the ferry was a lot busier than usual, and Holyhead station was jam-packed.
I think this might possibly be the best version I know of Tim Minchin’s “White Wine in the Sun”. It was broadcast for BBC Children in Need, and features Tim singing and playing the piano, accompanied on guitar by someone whose name I can’t find. My Google-fu must be waning.
Christy Moore sings the less famous solo version of “Fairytale of New York”. Beautifully.