“Strong Female Characters”

Can a female character be a “brilliant, solitary, abrasive, Bohemian, whimsical, brave, sad, manipulative, neurotic, vain, untidy, fastidious, artistic, courteous, rude, polymath genius”? Well, I don’t see why not, and nor does Sophia McDougall at the New Statesman.

That a female character is allowed to get away with behaviour that, in a male character, would rightly be seen as abusive (or outright murderous) may seem – if you’re MRA minded, anyway – an unfair imbalance in her favour. But really these scenes reveals the underlying deficit of respect the character starts with, which she’s then required to overcome by whatever desperate, over-the-top, cartoonish means to hand.

Another essay on the subject comes from Carina Chocano in the New York Times.

“Strength”, in the parlance, is the 21st-century equivalent of “virtue”. And what we think of as “virtuous”, or culturally sanctioned, socially acceptable behavior now, in women as in men, is the ability to play down qualities that have been traditionally considered feminine and play up the qualities that have traditionally been considered masculine. “Strong female characters”, in other words, are often just female characters with the gendered behavior taken out.

So, what does a real “strong female character” look like? Well, here’s a snippet from Ana Mardoll talking about Disney’s Frozen.

The movie really brings home (especially through the song lyrics, which are just PERFECT) that this Good Girl / Bad Girl dichotomy is damaging to Elsa, and the only way she can really be free is to reject them both. She doesn’t need to be (and fundamentally can’t be) a perfect good girl, but she won’t find freedom by moving over to the bad girl stereotype offered to her by a restrictive society. She’s only free when she throws both of them in the trash.

Also amazing, and very rare: a cursed girl saves herself.

Strong female character? Perhaps.

“Let it Go” Lyrics.

Of course, I can never hear the phrase “Strong Female Characters” without thinking of the iconic strip from Hark a Vagrant (“sexism is over”). Looking for that, I also found a sequel.

TRiG.

Film: Calvin & Hobbes

Bill Watterson has said that there will absolutely definitively not be a Calvin & Hobbes film. That’s probably a good thing. I can’t imagine that any such film could be anything less than a travesty. However, there is going to be a film about Calvin & Hobbes and Bill Watterson. It’s called Dear Mr Watterson, and looks like it might be interesting and rather pleasing.

TRiG.

Vi Hart, Spongebob, Fibonacci numbers, lack of bilateral symmetry in pineapples, and climbing snails

Yes.

Vi Hart announced that pineapples have Fibbonacci spirals, not bilateral symmetry, and therefore the pineapple house in Spongebob Squarepants is inaccurate.

And so the series designer, Kenny P., decided to redesign the set. Cool, huh?

Meanwhile, the snail which had appeared as a supporting character in Vi Hart’s Spongebob videos went on to a staring role:

And it only gets more epic from there:

(Even CGP Grey says it’s epic, in the comments.)

Meanwhile, back on the subject of Fibbonacci numbers (and Lucas numbers):

Simple rules: complex consequences. It’s wonderful.

TRiG.

Hans Rosling makes data sing

Over on the blog of Tullamore Toastmasters I posted some videos of the Swedish Professor of Public Heath, Hans Rosling, whose statistics are fascinating, insightful, and, ultimately, encouraging. The world is in many ways better than we might have thought it was. (The world isn’t only healthier than we might have thought; it’s also a lot less violent.)

TRiG.